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Course Description

Richard Wagner's Der Ring Des Nibelungen, a cycle of four mythology-steeped music dramas written over the course of 26 years, is the largest single most wide-ranging work in the common repertory. In this course, students will examine the genesis, construction, and cultural context of each of the four dramas: Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung.

Course Outline

Syllabus/Itinerary:

10-11am: Sources and libretto. Political and social influences. Excerpts from the operas illustrating these issues. Das Rheingold, scenes 1 and 2. A new kind of opera, called "music drama"

11-1130am: Das Rheingold, scenes 3 and 4

1130-1230pm: Die Walkuere, the conflict between humans and Gods, the impossibility of Wotan's dilemma, Wotan's crimes against Nature and Man, which echoes those of Alberich. Brunnhilde.

1230-130pm: Lunch Break

130-2pm. Wotan's Farewell.

2-245 pm: Siegfied, the "scherzo" of the cycle. Siegfried as the hero of a "Bildungsroman"; or coming of age story.

245-4pm. Gotterdammerung. Back to Grand Opera? Wagner's astounding orchestration. "I Saw the World End"...Brunnhilde's immolation.

Notes

At Graham health and safety is our highest priority. As we resume on-site programming, we want to share COVID-19 requirements for attending.

In-person programming must adhere to University of Chicago guidelines, including the following measures:

  • All in-person participants must show proof of fully vaccinated status, defined as two weeks after the second dose of a two-dose COVID-19 vaccine or two weeks after one dose of a single-dose vaccine.
  • All in-person participants eligible to receive the COVID-19 booster shot must meet this requirement and show proof of receiving a booster shot.

For more information on Education Guidance including vaccine requirements and masking requirements, please visit goforward.uchicago.edu/education-planning/.

For more information on measures the university is taking to help protect public health, please visit goforward.uchicago.edu.

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