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Course Description

At a recent international conference of cinematographers, one anonymous guest wrote the following: “Films become unique because of exquisite and infinite combinations of basic elements. Yet, in all atomization there is still mystery—knowns and unknowns—which coalesce into a phantasm which may or may not map onto ‘reality.’ How much that we perceive is illusion, dream, wish, fear or hope? And how can we discern the true ‘identity’ of our perceptual visions?” Our course will attempt to parse these remarks and answer the dilemmas which they implicitly pose through an analysis of pairs of films—two each week.

Students are requested to watch the first week’s films—Amarcord and Radio Days—before the first class meeting. (8 weeks)

Film List

Week 1

Amarcord (Federico Fellini, 1973)
Radio Days (Woody Allen, 1987)

Week 2

Blood Simple (Joel and Ethan Coen, 1984)
Hard Eight (Paul Thomas Anderson, 1996)

Week 3

Blow-Up (Michelangelo Antonioni, 1966)
The Lives of Others (Florian Henckel von Donnersmarck, 2006)

Week 4

Tom Jones (Tony Richardson, 1963)
The Age of Innocence (Martin Scorsese, 1993)

Week 5

Strangers on a Train (Alfred Hitchcock, 1951)
Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011)

Week 6

Three Women (Robert Altman, 1977)
The Wait (Piero Messina, 2015)

Week 7

The Kid with a Bike (Jean-Pierre Dardenne, Luc Dardenne, 2011)
Little Men (Ira Sachs, 2015)

Week 8

Cinema Paradiso (Giuseppe Tornatore, 1988)
Stardust Memories (Woody Allen, 1980)

Prerequisites

None.
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