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Course Description

Inspired by an upcoming exhibition at the Smart Museum of Art, this course focuses on photography in and of South Africa, Ghana, and Mali in the long 1960s—amid resistance, revolution, new nationalist and transnational movements, and the stuff of daily life therein. This course brings studio and street, portraits and landscapes, glossy editorials and hard-edged reportage together to critically consider realism in different modes, to explore the impact of international networks, and to examine the multiple lives of single images. We discuss work by Ernest Cole, Malick SidibÉ, Peter Magubane, James Barnor, Paul Strand, Henri Cartier-Bresson, and more.
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